This customized RG7 is the bees knee’s. It was running through my ENGL Powerball MK. I for those of you who are curious.
This amplifier has been a part of my arsenal for a couple of years now; some tolex has been marked, but it has not deteriorated at all in terms of quality of sound and in stability. Recently re-tubing it has turned it into an even greater demon of sorts: it has enough gain to tear down buildings but a soft purr on the clean channel when overdriven makes it comparable to any Fender amp.
But it’s time to move on and let someone else experience the magic.
If you’re interested in buying it please shoot me a message.
I posted this a few days ago. Very very extensive; in fact I edited it down from about 30-35 minutes of raw footage down into this neat little review. I go through EVERYTHING on this amplifier.
Hope you enjoy!
Lesson pricing posted on the *Lessons* page!
I was saying on http://www.facebook.com/paulozzmusic how I was going to be making this post regarding all of the gear that I’ll be using on the next Paul Ozz album. Realistically, I can tell you few things; as it is also dependant on the studio sitch.
BUT LET’S JUST TALK GEAR AND GET IT OVER WITH ‘AY?
I’ll be using my ESP Horizon FR-II (The Wizard) for probably most of the leads as it has a really smooth sound with the new John Petrucci pickup set; and any particularly high melody bits will probably be done on it as well.
My newly acquired ESP Horizon NT-7 (The Magician) will be doing basically ALL rhythms from the way I’ve got things set up. Its EMG 707s will just have to do for a solid rhythm tone. BUT THAT ISN’T A BAD THING.
My ENGL Thunder 50 will be going through a Marshall 1960A cabinet with a Boss NS-2 pedal through the effects loop to get rid of some very unwanted “SSSSS” and I’ll more than likely be using the effects built into Pro-Tools or Logic (depends on which exact studio I’m going into but that’s another story).
The synths and midi will be all done at home I think; at least in terms of programming until I find some better samples. The drums will be midi Superior Drummer 2.0 style with the Metal Foundry addition just to give me some more dynamic and options to change tones up. Of course Allan Heppner of Lethal Halo will be helping me out with that midi stuff cause y’know; he’s actually a drummer.
But yeah that’s the rig rundown so far. Monster cables, Marshall cabinets, ENGL heads, and ESP guitars. Pretty solid and surprisingly affordable (I mean I’m broke but still).